I was a pop freak. I love music. Of course, I knew soul because I grew up in it. Writing it and everything. I love soul. But I love a tune that has some meat in it. Something I could hang my hat on. Because music is universal. Therefore, I felt no boundaries.
There are no boundaries for what can be fabric.
I lost my mind at 15. I'd been shown a world where there were no boundaries, where everyone gave me all the power. And I was like, 'This is great!' Then that was gone. But I was like, 'Yeah, but I still want that.' I'd lost my humble, very quiet, introverted sensibilities which I think I definitely had as a kid.
I love performing on stage the most. It's getting that instant reaction from a live audience. There are no boundaries, you can take your character as far as you want to, you can be the craziest person ever.
The thing that I enjoy about animation is the fact that it is unbridled, and there are no boundaries; when you are in the room, you don't have to focus on your clothing, make-up, hair, your choreography or your blocking; you really do have total freedom.
Free form jazz means absolutely nothing to me. Because there are no boundaries.
I had no boundaries at home, so I had nothing to push against. I only rebelled with clothing when I was 14. I would wear purple Doc Martens and had purple streaks in my hair, dirty jeans, and baggy tops. Very Britpop. Anything that wasn't girly or feminine. My mother hated it.
I believe that two people are connected at the heart, and it doesn't matter what you do, or who you are or where you live; there are no boundaries or barriers if two people are destined to be together.
When I'm in the studio, there are no boundaries.
Look. Art knows no prejudice, art knows no boundaries, art doesn't really have judgement in it's purest form. So just go, just go.
